Tuesday, November 30, 2010

Stage Glass, This Has Nothing to do With the Theatre

The Stage Glass or glass platen is the most commonly broken part on you Overhead Projector. I would like to share a few of the stories that I have had the pleasure of listening to when my customers call in looking to replace this part.

Replacing your Overhead Projector Stage Glass is probably one of the easiest repair jobs that any end user of an Overhead Projector can perform. What is a Stage Glass? It is the glass platen where you lay your transparencies when projectors. The Stage Glass or Glass platen as some may refer to it, is one of the most commonly replaced parts on an Overhead Projector today.

Now unfortunately it is easy to become confused on which Replacement Stage Glass your Overhead Projector may need as there is no standard size or shape to any one manufacturer's Stage Glass, whether it be 3M, Dalite, Buhl, Eiki, Bell & Howell, Dukane or Elmo, Stage Glasses come in many different sizes and configurations.

Some Stage Glass may have beveled edges on the length of the glass on one side or two sides. Some Stage Glass may have cut corners, sometimes referred to as clipped corners on all four corners or two corners.
Some Stage Glass are referred to as hardened glass. Hardened glass is a specially heat treated glass making it much more durable than the typical annealed glass used in most Overhead Projectors.

Some Stage Glass is held in with clips, while other Stage Glass is held in with double sided tape. So as you can see there are a wide range of variables when it comes to an Overhead Projector Stage Glass.

If you have a Stage Glass that is held in with double sided tape the old tape must be removed and replaced before the new glass is installed. It is not recommended to use the same double sided tape for your new Stage Glass.

In some cases, the manufacturer does not allow you to purchase the Stage Glass if it requires double sided tape to reinstall. In those instances you will be required to purchase a new top cover assembly with the Stage Glass already installed for you. In some cases once you have purchased the new top cover the Stage Glass will be held in with clips instead of the double sided tape, allowing any future glass replacements to simply require the purchase of just the Stage Glass.

So how do all these Stage Glass get broken? Well here are some of the most common stories we hear:

I used my Overhead Projector as: a step stool, a ladder, a desk top to staple documents,
a work bench, or as a chair.

Some folks prefer to knock or drag them of carts, while others just get totally stressed out and throw them.

One of my favorite stories to date is one that I heard just recently. The customer was apparently very upset that they had just broken their Stage Glass. After I had finished asking for all of the pertinent information they felt the need to relieve some of their stress by explaining how the Stage Glass was broken. It seemed to be a good idea at the time for them to pick up a very large book as their weapon of choice against the fly that had been torturing them all day. The book was launched towards the fly, seemed to be right on target as it smashed through the glass. Unfortunately for them, the fly anticipated their strategy and evacuated just in time to get out of the way of the book only to live on another day. Let's hope another Overhead Projector Stage Glass doesn't see the same demise.




Mark Boehm is the president of M-B Electronics. He has over 25 years of experience in the Audio Visual and Electronics Industry. You can contact him at 800-872-9456 or e-mail him at etbinc@comcast.net.

For more information:http://www.mbelectronics.com/view.aspx?id=245&name=Stage%20Glass

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Sunday, November 28, 2010

What Are DVD Slide Shows - Or Photo Montage All About?

I'm certain you are all familiar with the old fashioned slide shows. Well a DVD Slide Show is completely different. Modern technology and software have merged together to give us the beauty and elegance of video, and apply that to our still shots.

With the old fashioned slide shows you had a noisy projector which projected the images on a wall. I'm sure you all have memories of friends boring old vacation footage with the dad or mom narrating everything they saw or did on their trip. With DVD or Video Slide shows, now you can take your collection of photographs, put them in an order to create a theme, add titles, music, special effects and transitions making it into a spectacular video presentation. The beauty is that there is no noisy projector to lug around and no box of slides. All that stuff stays at home. The only thing you need with a DVD slide show is your DVD. Take that to any friends house, relatives house, or party, and pop it into a regular DVD player and show it on a big screen TV.

Now with the modern software available companies are creating DVD and Video Slide Shows and Photo Montage for Wedding Reception, Anniversary, Birthday, Graduation, Baby Shower, Bridal Shower and much more. Now any occasion can be made into a special occasion by having a DVD slide show or Photo Montage at a very reasonable price. Actually the term Photo Montage and Slide Show are interchangeable, there is no difference. Wouldn't it be fantastic to show a montage at your wedding reception of how you and your fiance grew up and eventually met? Photographers generally charge and arm and a leg to do that type of work. Now with DVD Slide shows you can collect all your old photographs, send them to a company that specializes in DVD Slide Shows, and within a couple of weeks you'll get back a Montage of your pictures with Music, Transitions, Titles, and Menus and it will be all ready to show at your reception.

What about your Parent's 50th Wedding Anniversary. Why not give them a DVD Slide Show of their 50 years together. Better yet, If your having a celebration party you can surprise them and show the DVD Photo Montage at the celebration. Most facilities have DVD players a Large Screen TVs already on the premises ready for you to use for your special occasion. All you have to bring is the DVD. That relative that you haven't seen in years and is always bugging you for pictures of the kids. Give them one better. A slide show of your kids growing up over the last few years. The possibilities are endless. I'm sure you can come up with a few ideas yourself as to how to take advantage of this great and inexpensive method of dressing up old photographs. I hope this has cleared away any mysteries about what DVD Slide Show and Photo Montage really are and how you can use them.




Frank Stone is a veteran wedding videographer with over 15 years experience in the wedding industry. Currently creating beautiful wedding videography for Advanced Video Services in Orange County California. For details on Wedding or Special Event Videography anywhere in Southern California visit their site at advancedvideo.50webs.com You can also leave a message for Frank if you have any questions, and he will gladly answer your questions.

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Friday, November 26, 2010

DRA 120V/300W T-5 G6.35 Base Slide Projector Bulb

DRA 120V/300W T-5 G6.35 Base Slide Projector Bulb






Product Features


  • Bulb Type: T-4 Slide Projector. Energy Used: 300 Watts. Volts: 120
  • Filament Type: CC-6 Base Type: G6.35
  • Light Output: 6,900 Lumens. Color Temperature: K 3,100
  • Width: 16mm. Length: 50mm.
  • Average Life: 300 Hours.


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Sunday, November 21, 2010

Panoramic Holiday Motion Projector

Panoramic Holiday Motion Projector






Product Features


  • Transforms your home into an illuminated light show
  • Plays 30 different Christmas carols while shimmering snowflakes cascade down your home's exterior
  • Works at distances up to 35 feet
  • Includes 55 watt projecto bulb
  • Plastic, metal and glass; 6 x 13 x 6 inches


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Friday, November 19, 2010

SVP Digital Film Scanner w/ 2.4" Build-in LCD (2GB Included), ~"World's Smallest Film Scanner"~

SVP Digital Film Scanner w/ 2.4" Build-in LCD (2GB Included), ~"World's Smallest Film Scanner"~






Product Features


  • Converts all 35mm color / monochrome negatives and mounted slides to digital at the touch of a button
  • Fast conversion--requires only five seconds to convert an image
  • Built-in 2.4-inch color LCD screen to view and edit images
  • Saves images directly on SD memory cards via embedded SD/MMC card slot
  • Powered from USB port or 4XAAA alkaline batteries (batteries not included) or A/C adapter


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Wednesday, November 17, 2010

Kodak Carousel 4200 Slide Projector

Kodak Carousel 4200 Slide Projector






Product Features


  • Lens not included with projector
  • Remote forward and reverse
  • Improved corner-to-center illumination
  • Long-life lamp
  • Built-in handle, accessory outlet


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Friday, November 12, 2010

Thinking Outside the Box With Widescreen in PowerPoint

Sometimes it pays to think outside the box. Take a typical PowerPoint presentation. A blank page slide will be set to default as landscape, with sizes in proportion to most screens. However, there is nothing to stop you creating a slide show entirely in portrait format if this lends itself better to your delivery. When presenting a continuation of portrait images, for example, you can select the portrait set up for your slides. The images don't have to be sized into landscape shapes, or have floating space around them which might spoil the effect of the composition.

For the majority of presentations, it is best to use the portrait mode only when the end results dictates - for example if you are printing the slides on transparency masters for use in an overhead projector or if you are presenting on a screen with portrait orientation.

In PowerPoint 2007 changing from landscape to portrait is easy. On the Design tab, locate the Slide Orientation and change from landscape to portrait - it's as simple as that. But what if the new shape means that there's wasted space on each side of the screen? Simply locate the Page Set Up option in the same group, and alter the size of your pages, or slides, to fit the screen you are using.

With PowerPoint 2007, you have the option not only to change the orientation of a slide, but you can also determine the size of a slide. This is especially useful when presenting in widescreen. As the widescreen plasma screen becomes a permanent fixture in today's conference and boardrooms, it's a good idea to make use of the function in your PowerPoint presentation. Widescreen has also become the most popular choice for new laptops. It follows, then, that PowerPoint presentations are now being created in widescreen format, too.

Widescreen refers to the shape of the screen - and is usually expressed as a ratio of width to height. Standard televisions and most computer screens use a 4:3 aspect ratio. HDTVs use a 16:9 ratio, and widescreen laptops are usually 16:10.

But it's not just a question of keeping up to date with the latest hi-tech; widescreen also has many advantages that give your presentation the edge. Widescreen enables you to use all the space on your screen and means there's more room on the slide for your information - think about comparing data over two columns on one slide, for example. Not only does the extra space on each slide mean that there is more space for your text and graphics, but the whole effect is less cluttered. And the futuristic cinematic shape also adds another dimension to your slide show. Widescreen is one of the newest forms of presentation display and demonstrates that you, too, are keeping up with what's new.

When you access the Page Setup dialog box in PowerPoint 2007, you are able to have extra control over the page set up for your presentation. The controls in the dialog box - for example the Slides sized for drop down list - help you set the size of your slides based on how you plan to present them. The most common choice is to present the slides on a standard computer screen, which has an aspect ratio of 4:3. Other options on this drop-down list include different screen ratios, suitable for wide-screen displays, standard sized paper and even 35-mm slides. A Custom option lets you set any width and height.

There's also the option to alter the width and height of your slides and a numbering option for each slide. The Page Setup lets you set the orientation to portrait or landscape. You can decide on a setting for slides, handouts and notes.

A word of warning: it's best to make the change to widescreen format before creating your presentation. If there is any chance that you might have to show your presentation in widescreen, therefore, it is a good idea to set this up prior to adding any information to your slides. Making a change to the setup of the slides at a later time can cause your data to be stretched and distorted on the screen.

Although most laptops and presentation projectors are not widescreen, you can still deliver you presentation in widescreen format. PowerPoint 2007 has the flexibility that allows you to fit your slides to the available screen space. It's a bit like watching a widescreen film on a standard television screen, when the letterbox format displays black bars at the top and bottom.

If your presentations are not time-tied and are going to be used in the future, it is a good idea to begin creating any slide shows in the widescreen format. Get thinking outside the box and give your presentation that extra edge.




Author is a freelance copywriter. For more information on powerpoint london, please visit http://www.microsofttraining.net

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Wednesday, November 10, 2010

DLP TVs - Not Your Mom's Projection Television

Everyone talks about plasma TVs and LCD TVs, but few talk about DLP TVs. These nifty high-def TVs are not the foggy, oddly-angled and difficult to view low-contrast sets of your childhood, but rather high-tech digitized versions of modern movie projectors, the rear-projection set and a screenless projector usually referred to as a DLP front projector.

Front projector is in essence a DLP rear projection set without the box, let's talk about that one first. These DLP TVs don't look at all like televisions; instead, they resemble digital slide projectors, squat little boxes that have a lens on the front. The television picture is digitally assembled inside the DLP unit and projected to wherever you want, usually a wall or a screen. The great advantage of this sort of DLP TV is that you have a picture scaled to whatever size you like. The disadvantage, of course, is the quality is limited not only by the DLP's specs but also by the quality of your projection surface.

Rear-projection take care of that problem, but at the cost of the great flexibility of the front-projection DLPs. These units look much more like the projection televisions of yesteryear, but with an enormously improved picture. While a DLP TV does not approach the contrast value of a plasma television, they are as good as most LCD TVs and are much tougher units.

A rear-projection DLP TV is surprisingly slender - not wall-mountable like a plasma or LCD model, but still only a few inches deep. Models that are wall-mountable or near it are starting to come on market right now, so you can expect that option in the near future. They are also significantly cheaper than plasma TVs, and in larger sizes are cheaper than comparable LCD TVs.

While the picture with a good rear-projection is not quite up to the standards of a plasma, it is comparable with an LCD TV, and it has another major advantage: the backlight is replaceable. With an LCD TV, the light will dim over time, and repairing it is so expensive that it's cheaper to purchase a new television. A DLP TV light source will go out eventually, but the bulb is completely replaceable, in some models designed to be replaced by the purchaser, and much less expensive than a new set. If your television set is destined to get heavy use, a DLP TV is much more economical over time than a similar LCD TV. And a plasma TV? Forget about it! Once its light dims, it cannot be repaired and must be replaced.

The major manufacturers of DLP TV right now are Samsung, Toshiba, Mitsubishi, Panasonic, LG, and RCA. Most experts prefer Panasonics, but any DLP that uses mirror technology that comes from Texas Instruments is going to do well. The main thing to look for, besides picture quality, is a DLP TV that allows you to change the bulb yourself. Newer sets also use LED lighting instead of halogen lights. This is a distinct advantage for two reasons. First, LEDs last significantly longer than halogens (though halogens still have a long lifespan). Second, halogens generate a lot of heat, and the fan used to dissipate it in the set has a whining noise that irritates some viewers. LEDs emit very little heat and do not have the same problem.




SNS Designs, Inc. owns a number of websites. They carry wide selection of High Definition Televisions, Samgung LCD TV, Plasma Televisions. They offer the most popular in home theatre and a number of televisions that range from Sony, Pioneer to LG that everyone can afford.

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Monday, November 8, 2010

Braun Multimag Slide Scanner 4000 for 35mm Transparencies, with Digital Ice Technology, USB & Firewire Interface, for Mac & Windows.

Braun Multimag Slide Scanner 4000 for 35mm Transparencies, with Digital Ice Technology, USB & Firewire Interface, for Mac & Windows.






Product Features


  • Automatically and time-saving scanning as many as of 100 slides directly from the magazine
  • Takes various types of slide magazines
  • High quality scan of slides of format 24x36 mm for: archival on CD projection with digital-projectors viewing on PC or TV sending the images by e-mail
  • No large-scale and manual inserting of single slide
  • Fast data-transfer by USB 2.0 and FireWire connection


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Saturday, November 6, 2010

Hook Up A Receiver For Your Home Theater

What is a Receiver?

A receiver is that big, heavy thing that you plug your speakers and other components into (like a DVD player, TV, CD player, Xbox, PlayStation, iPod, and etc.). Its the "brain" of the show, really. The idea of connecting all your components to a receiver is the concept of audio/video switching, allowing you to switch to different video sources (like TV, DVD, camcorder) on your TV
and thus changing the audio source accordingly - all without touching anything but the receiver.

Of course, the main purpose behind audio/video switching with a receiver is to drive audio to external speakers, like surround sound or stereo speakers.

Most receivers have a plethora of inputs; up to 8 speakers and a subwoofer (more commonly, 5.1, or five speakers and a subwoofer), several video inputs, and even HDMI inputs. You could plug your Xbox, Plasma, and DVD player into the receiver and use one remote to switch between all the different video sources (games, TV, DVD video) and have your speakers pump out surround-sound. Let's start with inputs and outputs. If you don't understand something, read through the entire How-To as most of it will be explained in detail.

Keep in mind that a receiver is the hub of your entire home theatre, so this How-To will actually guide you through the basics of connecting your complete home theater.

So what the heck is all this 'stuff' on the back of your receiver?

I'm going to go over just about anything that you would find on the back of your receiver. The one I'm basing this guide off of is a Harman Kardon AVR-247 I'm going to start from the top left of the unit and work my way to the right, then I'll start at the left of the next row and so on.

The first three inputs are for antennas. An FM antenna cable would slide on to the first jack while two speaker wires would plug into the remaining slots for AM. Of course, you don't have to plug your antennas in, but if you'd like AM/FM reception through your speakers, you'll want to go ahead and do that. These are standard connections, so if you lose one of your antennas, just go buy another for a few bucks.

You've probably heard of composite video. Its a very basic video connection used by most any component (TV, DVD, VCR especially). Its common and its cheap. As such, its very low quality.
Composite uses an RCA cable for video (yellow) and two more RCA cables for audio (red and white, stereo). The problem is that a composite video cable combines luminance and chrominance in the same cable, reducing the quality of the picture. You lose a lot of sharpness, and the color begins to degrade from the original source. Its useful when you need the extra input or the device you're connecting only has composite video. Otherwise, use something else, like component video. Sounds similar; very different.

S-Video is next in line after composite. It uses a different type of connector (five pins in a circle) and gives you marginally better video quality. It is also a video-only cable, so you'll need to plug in audio separately. In this case, you'll probably use a pair of red and white RCA cables for your audio inputs.

Next up: a ton of composite audio inputs. These inputs use left channel and right channel RCA cables, typically red and white. They look just like the yellow composite video cable, and you could even use them for video and the yellow for audio, but let's keep the color scheme how it is ;) Composite audio is the bottom-of-the-barrel in audio. Its perfectly fine for most use, but if you're looking for high quality surround sound, you don't want composite. Game systems, like the Wii or Xbox, and very basic DVD players are a perfect match for composite audio.

The same goes to VCRs, CD players, and anything that only has a composite audio output. Plus, if you don't have surround sound, or your receiver is only two channels (2.1, stereo sound), you won't be able to use anything but composite audio. Note that there is a composite audio input under each composite video input so that it is easy to match them up. Plug them in the wrong inputs and you won't get sound when you're on that particular video input.

Here we have one of the least-used features of a modern receiver: 6 (or 8) channel direct input. This is only used for two purposes: SACD or DVD Audio. SACD is an acronym for Super Audio CD. It is a proprietary audio format developed by Sony for special CDs that are recorded in 5.1 surround sound. That means you need a CD or DVD/CD player that supports SACDs, a receiver with SACD support (as in the picture), and of course Super Audio CD's. DVD Audio is the same idea, different brand, different media (its a DVD, not a CD!).

DVD Audio discs are special DVDs that are recorded in 5.1 surround sound and can only be played by devices with support for them. These CDs go all the way up to 7.1 surround sound, meaning you would need to have two front, two rear, two side speakers and a subwoofer to enjoy full 7.1 surround sound. Most receivers support up to 7.1 now but you won't find DVDs with that kind of capability for movies. 5.1 surround is still the defacto standard, so don't run out and buy more speakers any time soon.

You could skip this next little item because it is unique to this brand of receiver (Harman Kardon). The Bridge" is a proprietary connection they developed for you to connect
an iPod. You need to buy a separate component that includes a docking station and special cables to connect the iPod. It fully integrates with the receiver, displaying
menus and songs on the front LCD screen of the receiver. This allows you to easily pump your tunes through your speakers, whether it be stereo sound or full surround sound.

Of course, the music on your iPod is stereo sound, so the best you can get is simulated surround sound or stereo surround; the same music playing in the front two channels
is put through the rear and center channels. Some receivers do this more intelligently than others, but more on that later.

Here we have our high-end sound inputs/outputs. Basically the same performance wise, you have fiber optic connections (with the square shape) and digital coaxial (just like an RCA cable).
Both of these are 100% digital, whereas composite is analog. The only way you can get true surround sound from any source is by using one of these connections (or the SACD/DVD Audio option)

Almost all DVD players these days have either optical or digital coaxial outputs (sometimes, both). Many high definition cable and satellite boxes also come with these
connections so you can enjoy 5.1 surround sound on high definition channels. Choosing between the two, there's really no different in audio quality, so feel free to use
what you'd like (or what you're forced to).

I don't think I need an image for the next plug. Its a pair of power inputs. One is for powering the receiver, the other for whatever you'd like. This way, when you turn
on the receiver, you give power to the other device (be it a DVD player, CD player, cable box, whatever). I don't necessarily recommend this unless it specifically suits
your needs. It is useful if you're running low on outlets, of course.

Something else you'll never use: D-bus RC-5 input/output. This is used for infrared remote controls to take over your home theater system. Honestly, its not something any of us will ever use. Some of the real high-end junkies might be using something for it, but I've never even come across a device that uses this technology. Stick to the remote that came with your unit, or buy a quality universal remote control. There's no need for this option. An alternate use for this may be a bit more common: if your receiver's front panel is blocked (like inside a cabinet), you could get an infrared transmitter to latch on to the front of it. This transmitter would hook up to another device somewhere in your room that will accept signals from your remote control. The receiving device then transmits the remote's commands to your receiver (via the transmitter you've attached to the front over the regular infrared transmitter).

Pre-outs , located right under the Remote in/out. Pre-outs are used when you'd like to add an amplifier to your system to boost the power (and hence volume/audio quality). Average
users will not use this for anything but the subwoofer preout. You'll want to run a subwoofer cable from your subwoofer to the subwoofer pre-out to provide it with
the right frequencies. This is the proper way to connect your subwoofer to your surround sound system. The other inputs won't be used unless you plan on adding
an amplifier. This is highly unnecessary for home use. You might add an amp if you're trying to fill a room the size of a small house with enough sound, but you're not, right?

Here we finally get to the meat of the system: the speaker inputs! Harman Kardon receivers use bind posts for connecting speakers, as seen in the picture. They
work by being loosened up as your turn them counter-clockwise, then you sneak the speaker wire in underneath the caps and tighten them back up by turning clockwise. This'll
give your speaker wire a nice tug fit that probably won't loosen up on itself over time. Other brands may use other types of connectors, but bind posts are very common.
You might have been able to tell this is a 7.1 channel receiver because of the speaker inputs.

You've got room for 2 front left and right speakers, 2 rear left and right speakers,
a center channel, and two left and right "surround" channels which are placed somewhere in between your front and rear speakers ("side surround", or 7.1). If you have enough
speakers, you can go ahead and plug in those extra 2 side ones, but they won't play any sound at all on a 5.1 DVD. You would need a DVD that supports 7.1
surround sound, and at this time, there just isn't a market for it. CDs will gladly blast stereo surround through all 7 speakers, though, so for some larger rooms, that's an
advantage.

Our final set of connectors for this receiver: component video . The best video you can get next to composite or s-video. You'll notice its a set of three cables (all for video),
usually Red, Green and Blue. Don't think that's what the cable does, though - it separates the video signal by luminance and two separate color channels. In the past, component
did it in fact represent R, G, B (splitting the primary colors in transmit and recombining them at the destination device), but that is not used in current component video
connections. Component video can carry high definition signals, all the way up to 1080p, so it is the most cost effective and readily available high definition input.
Not seen on this receiver are DVI and HDMI, the two all-digital video connections.

HDMI is the newest, fastest, sharpest video and audio connection available today. Its the only cable that can carry audio and video in one - not to mention, in high definition.
HDMI must be supported by the source and the display you're connecting it to to use all of its features. Not all DVD players, cable boxes, or receivers support both
audio and video in HDMI. Its becoming more and more of a standard now to support both. The advantage is clear: less cable clutter, higher quality audio and video. You can get up
to 1080p high definition video and 7.1 surround sound through an HDMI cable. Newer cable and satellite boxes, DVD players, high definition DVD players, and more expensive receivers
support the full capability of HDMI. Its the best you can get as all-digital goes.

The last connection for this article is DVI. DVI is also all digital like HDMI, but it cannot process audio signals. HDMI may provide a technically superior image,
but I don't think anyone could tell the difference. DVI supports high definition video all the way up to 1080p, just like HDMI. Its being used less frequently now,
but if you've bought a new computer or video card for your PC recently, it probably has a DVI (or two) port on it. Most computer monitors use DVI now and video cards
have followed suit. HDMI is edging its way into the PC market, but its dominance is seen in the home theater arena.

Now that you've familiarized yourself with common connections, let's plug it all together.

This part of the receiver How-To is going to guide you through hooking a 5.1 surround sound system(5 speakers and a subwoofer) with a high-definition TV, a high-definition cable or satellite box, a DVD player, and a 5.1 receiver.

Your TV & Components

Where you put your TV is dependent on how large it is, how large your room is, and where you will be sitting. If its 50 inches, don't sit more than 10-15 feet away; but no less, either.
A 60" set is perfect for 12-20 feet. If you have a 32 inch set, try to sit no farther than 8-12 feet away. Your receiver, DVD player, cable box, and other components should obviously be close together, but don't place them physically on top of each other. They all get hot, especially your receiver. If you have no other choice, slide a thin piece of plywood between the components to help dispense the heat.

Lay Out of Speakers

The first step is to lay out your setup. Different rooms call for different locations for your speakers and subwoofer. If your room is a typical rectangle, go ahead and place your two front left and right speakers somewhere flush with the television on that side of the room. Your left speaker goes toward the left corner, right speaker toward the right corner. Don't bother with speaker wire yet (unless your speakers come with speaker wire attached already; in that case, just let them dangle for now). Note that which speaker is left or right is solely dependent on how you connect them to your receiver. Your speakers aren't actually designated "left" or "right".

Depending on how you acquired your speakers, your front speakers could be larger than your rear speakers. That's how you know they're for the front. Otherwise, all your speakers are the same shape and size, and you can use each for any purpose.

One exception: the center channel. Usually, a center channel is much shorter and wider than your other speakers. It should only be used for the center channel. Sometimes, all 5 of your speakers could be the same, usually on a very inexpensive setup. You can use any of these speakers for any purpose.

Your center channel should always go either directly on top or under your television set. However you have to do this, get it done! It's not called the center channel for nothing, you know. Any movie will pump out almost 90% of the voices you hear and a majority of the rest of the sounds through the center channel. It is a vitally important component to your surround sound setup.

Your subwoofer should always be on the floor. If it is impossible to place it on the floor, get it as close to the floor as possible. Placing it behind objections or in closets will diminish its effects. In a perfect setup, the subwoofer would be on the floor close to the TV (perhaps off to the left or right) in your line of sight. Nothing should block the side of the subwoofer that air will come out of (usually covered by a grill protecting the subwoofer speaker itself).

When it comes to finding a good spot for your speakers, you might want to mount them. You can usually buy compatible speaker mounts online or in stores. You can also
use existing shelving, buy some shelving, or place them on tables or other objects. No matter how you do it, try to keep the speakers as close to ear level as possible. A speaker mounted at the ceiling of your room isn't going to give you the optimal aural experience.

The last thing to keep in mind about layout is speaker wire. You'll probably need at least 100ft of speaker wire, but you'll often find yourself using much more if you
try running wire through your ceiling, under carpeting, up through the basement, or around objects to conceal it. Take measurements and buy at least 10% more wire than
you think you need. You'll probably use it!

Cabling

You need to know the different kind of speaker wire available to you before setting up your home theatre. If you bought an HTIB (home theater in a box), it probably came with 100ft of horribly cheap speaker wire. You don't want that! Do yourself a favor: buy some high-quality, 14-guage speaker wire. Anything higher than 14-guage is just to thin and will be susceptible to interence, quality loss, and poor quality over longer distances. Fourteen guage is a good thickness and suitable for most home theatres. Make sure its also not too thick - some speaker wire simply will not fit in to the speaker wire jacks on some receivers.

Some receivers use proprietary speaker inputs. Sony is one example. Many Sony receivers have special connectors for speaker wire and will not accept a standard speaker wire. You'll need to use either the Sony-provided speaker wire, take the ends off of Sony speaker wire and put it on your own, or buy some of these special connectors from Sony directly to place on your speaker wire. My recommendation? Avoid any receivers with non-standard speaker wire posts/jacks/connectors. Look for bind posts or other jacks that allow you to slide in and clamp down on a typical speaker wire.

Once you've got your speaker wire sorted out, you'll have to do some cutting and stripping if you opted to purchase your own. This is way easier than it sounds, so don't worry!

Measure out each length one at a time, cutting the speaker wire with either really great scissors or a sharp blade. Now you need to strip the ends of the wire. Use either a stripping tool or plain old scissors. You can place the scissors on the cable and gently apply some pressure as you twist the scissors around the cable, carefully slicing into the plastic coating. Eventually, it'll get weak enough that you can just slide it off by tugging on it with your fingers. You need at least 1/4" of exposed wire.

Now you can connect your speakers. Note on your speaker wire the difference between the two ends. You'll need to use one as your positive and one as your negative. Sometimes the coating is a different color between the two or there is text on one and not on the other. Keep track of this - whichever side you use for positive on your speaker, use it for positive on your receiver. Crossing the two can cause damage, either immediately or sometime in the future. It might work this way but you don't want it to!

Connecting the speakers is easy enough. Front left to front left on your receiver, center speaker to center on your receiver, etc... Your rear speakers may be referred to as "Surround" or "Rear Surround" instead of just "Rear", but keep in mind, if you have a 7.1 or 8.1 channel receiver, "Surround" may indicate side surround speakers, not rear speakers.

Subwoofers

Your subwoofer is going to be a little more complicated. There are a few different ways to do it and many variations of inputs/ouputs on the back side of subwoofers. I'm going to go with the most standard and efficient method first.

You will need a subwoofer cable for connecting your sub. If you don't have one or don't want to buy one, you can substitute it for a standard red or white RCA cable (or a pair, since they are usually connected; just let the other cable dangle). It will work, but its really not the best way to do it. You'll also need whats called a Y adapter. On the back of your sub, there should be a left/right input (red and white). You plug the Y adapter in to these connections and then your subwoofer cable (or RCA cable) in the other end of the Y (note: if you don't have a Y adapter, just choose the left or right input to plug into).

Now, take the other end of your cable and plug it into your receiver's
subwoofer preout. Hopefully you have a powered sub, meaning it gets plugged into an AC power outlet. All you need to do now is plug that in and your subwoofer is good to.

If you don't have RCA jacks on your subwoofer, or it only has speaker wire jacks (and its most likely not powered), you'll need to connect it the old fashioned way. Your front left and right speakers will plug into your subwoofer's ouput jacks instead of your receiver. You'll then run speaker wire from the left and right inputs on the subwoofer to your left and right speaker outputs on your receiver. This way, the subwoofer is powered by the receiver and will not work as well as a powered sub. You also take some power away from your front speakers with this method. A good idea is to buy a new, powered subwoofer with line in RCA jacks.

Connecting the Dots

You've got the hard stuff out of the way. Now finish it up by connecting your TV, DVD, and cable/satellite box. Always try using the best options first. If your DVD
has HDMI and so does your receiver, use it. If your DVD only has composite, s-video, and component, use component video cable. When it comes to audio, you absolutely need
to use digital coaxial (jacks are usually orange) or fiber optic (usually the jack is recessed into the unit and has a door on it; when the door is open, a red light is visible). If you do not use either of these two, you won't get true surround sound! When all else fails, resort to composite (red and white) audio connectors.

Note: Look closely at the connections on your receiver. Everything is labeled, like the first set of red, green, and blue component video inputs might be labeled "Comp 1". If you're using composite audio cablesfor your sound, you'll need to plug them into the jacks that coordinate with "Comp 1". This might not be clear by looking at the receiver, so refer to your receiver's manual to figure out which video inputs use which audio inputs. Most often, you'll be able to configure them from the receiver's internal menu using the remote control.

On some receivers, all the component video inputs, for example, are linked to a single composite audio input (usually "DVD"), so if you connect more than one of the component inputs, you will be competing for sound when more than one device is active. This is why you'd want to configure the component inputs to use different audio inputs.

Your manual is the only way to figure out how to go about it. Composite video will usually match up to composite audio inputs with naming conventions like Video 1 -> Video 1, Video 2 -> Video 2, etc., but cables like component and DVI may not. You should also configure digital audio inputs to match up with the video inputs you're planning on using. For example, if you're using a digital coaxial input (possibly "Digital 1"), and you use component video, you'll want to match "Digital 1" with "Comp 1". Again, refer to your users manual for how to do this.




Article by Joe Chianese

Joe is the creator and editor of HowToHookItUp.com a website specializing in hooking up your home theater, computer, and general audio/visual needs.

Check out the HowToHookItUp.com Audio/Video Glossary.

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Wednesday, November 3, 2010

A Meeting Tool That Adds Value

The market is swamped with meeting tools. Ask for meeting tools in a department store or equipment shop, and the salespeople will take you to the floor that houses overhead projectors, whiteboards, flip charts, carousel slide projectors with remote controls, laser pointers, laser printers, scanners, PCs, laptops, LCD projectors, lecterns with microphones, photocopiers, facsimile machines, televisions, videos, CD players, DVD players, plasma screens, loudspeaker equipment, power amplifiers, screens, banners, wireless and other microphones, mobile tripod screens, moving lights, Internet connectivity devices and sound equipment, stationery, and a lot of other contrivances. If you conduct a meeting in the convention hall of a fabulous hotel, you'll probably be supplied with all these gadgets along with the services of a photocopier, stenographer, photographer, and some expert who can take videos - of course, all at an exorbitant price. Some hotels even provide secretaries!

But what's the point in all this fancy equipment? Do you think you'll be able to overwhelm your spectators by showing them some flashy images on an LCD Projector or a plasma screen? Do you think you'll wow them by airing your speeches through wireless microphones connected to high-powered amplifiers and sound equipment? Mathematically speaking, sophisticated equipment is necessary...but not sufficient for you to score an A+ in your meeting. What will help you get the higher grades is what you say, how you say it, whether there's actually a logic in what you're presenting, whether the line of action that you're advocating is really viable, whether the promised benefits of the project will outweigh the costs, whether what you're planning is going to be profitable - not only to you but also to your audience...Gandhi was a very simple man - his greatness lay in his simplicity and spirituality...when he summoned a meeting and delivered an oration, he held everyone in awe...by the sheer power of his quiet and gentle personality...

So, if any tool is a must-have for a meeting, it is the tool that will have the mark of your personality on it - something that will help you to organize your meeting data perfectly, to keep everything in order, it is the tool that will help you to fill in data and retrieve data...whenever you like...it is the tool that will structure your thinking, the device that will help you connect with key people on key meeting details, the tool that will help you change your working habits and your mindset so that you add value to your work, your meetings, to others' lives and hence, to your own life!

Currently, there's only one such tool available on the Internet, and it is available, free of cost! Visit http://en.wikipedia.org/wiki/Online_diary_planner and see the immense value this meeting tool is capable of adding to your life! Online diary planners are of many kinds as you will see. But if you are interested in meetings and conferences, look up the online diary planners that Wikipedia cites as useful for meetings and conferences. You can be sanguine that the online diary planners for meetings and conferences that have been cited by Wikipedia are genuine, authentic and value-adding meeting tools, as Wikipedia never ever gives biased information.




Damien Ghosh is a prolific writer of articles that focus on technology, places, psychology and people. Damien has worked in different industries such as the information technology industry, the travel and tourism industry and the retail industry. He has worked in several projects for blue-chip companies, that are part of the IT, travel and tourism and retail industries. His work and his passion for traveling has made him journey across the world. He has led large work-teams to accomplish business goals successfully. He is also an expert on psychology and has many degrees and diplomas in clinical and business psychology. He has successfully coached, counseled and mentored several people in the various organizations he has worked as a professional HR manager and psychologist. His counseling sessions have been very helpful for motivating people and for enabling them to identify and set their goals. His rich experience undoubtedly helps him to write extensively. Damien Ghosh's websites are https://www.meetingdiary.com and http://www.filmpromos.com.

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Monday, November 1, 2010

Presentations - The Single Most Powerful PowerPoint Slide You Can Use

PowerPoint problems run rampant in presentations, from busy, overdone slides that are impossible to read to poor usage where the speaker talks to the slide or blocks the screen. While there are lots of ways to improve slide quality and enhance PowerPoint usage, there is one little known, but powerful, strategy that can improve any PowerPoint presentation and put the focus more on the speaker, where it belongs. 

This wonderful strategy is... the black slide.

Keep in mind, the objective of visuals is to complement what you're saying, to help the audience understand or remember a point. So it stands to reason that if your visuals are purposeful, then you won't have a visual up all the time. In fact, you don't need a visual up to relate an anecdote or have interaction with your audience. Neither is a visual necessary to set the stage or to wrap up or to signal the start of Q&A.

Enter, the black slide. A black slide makes the screen go dark. Wherever you insert one into your PowerPoint presentation, there will be nothing on the screen. This enables you to tell that story or give that example or make that transition without the distraction of purposeless visual. And you now have the focus on you (which is ideally where it should be!).

Don't know how to create a black slide? Not surprising, since PowerPoint has no vested interest in helping you NOT use a slide! Here are some basic instructions (this is for PowerPoint 2007 -- every version is a little different; the key is to find the "Format Background" function):

 -Create a new slide and right-click on it

 -From the options that come up, click on: "Format Background"

 -In the box that comes up, select:

    1. Solid Fill

    2. Hide Background Graphics

    3. Color: Click on the down arrow and select black

 -Click Apply (NOT Apply All!)

Your slide will now be black and when projected in a room, will simply look like there's nothing on the screen. A great opportunity for the speaker to capture the focus!

There is another trick that will create a dark screen. If, while you're in "Slide Show" mode, you hit the "B" key on your keyboard, your screen will go dark. When you hit it (or the mouse or the arrow or enter key) again, the visual you had darkened will come back up. (Please note that this feature works only in "Slide Show" mode.) Now, before you get all excited and think, "Great! I'll just use the 'B' key to go to blank in between some of my slides," let me offer a word of caution.

First of all, the thing about the "B" key is that when you hit it the second time to get out of the black slide, it doesn't advance to your next slide. The visual you had up before the black slide will reappear. So it's going to be awkward to have to bring up your previous slide before you can go to your next one. Secondly, what do you think the likelihood is that you're going to remember to hit the "B" key after certain visuals? It's risky to rely on your memory. It's much simpler to just insert a black slide when you don't want anything on the screen.

Final suggestion, always end on a black slide. This is a nice way to end your presentation-nothing on the screen to distract from you during your close or the Q&A session. I recommend you create one instead of relying on PowerPoint's version...  You may have noticed it has the tiny type on it that says, "End of slide show. Click to exit." Not a big deal, but I have seen speakers who, moving in front of the projector with this slide up, had that white type run across their shirt or their face. It can be a little distracting. Leave your black slide there and don't exit the "Slide Show" mode until you are completely done with your presentation. If you exit Slide Show before you're done, the audience has to look at the "Slide Sorter View" of your program, which is busy and distracting.

The black slide is the single most powerful slide you can use in PowerPoint. Use it often!




Barbara Busey, president of the training firm Presentation Dynamics, has been a professional speaker, trainer and author since 1990. She does training and speaking on the "dynamics" of how people "present" themselves, is the author of the book, "Stand Out When You Stand Up," and is the creator of The Compelling Speaker, a unique presentation skills training program that combines advance audio CD instruction with a hands-on, ultra participative workshop. She now offers the Compelling Speaker Certification, a turnkey system -- complete with training content & technique, business strategies, and marketing guidelines -- that positions communicators to make a living training other business professionals to become more compelling speakers. Go to Compelling Speaker Certification to see her video, listen to her audio, and learn when the next Certification training is.

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